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Working on a complicated family home painting makes for mixing things up a bit. Herman Melville and William Adolphe Bouguereau would be in their studios all day and others did not really know what they did in there, Tom's wife thinks the same thing. It is fun to think they were working all the time on the work but they were not unlike Tom, answering letters, cleaning, working on peripheral things; spending a lot of time working on refining the craft, researching, making new devices and procedures that make the work fun and easier. After years of wanting to make videos of painting as it happens it was not until recently Tom set up a technique to do just that. It came together when he found a contraption to hold documents while typing, similiar to a desk top lamp that clamps on the table and allows you to move it all around. It makes it possible to sneak into the painting space with a USB cable video camera.
In painting a complicated work the question comes up, “Is it worth it?”
Working to duplicate the old masters, taking time to study and produce, is the
resource which is bottomless. Money may be in short supply but there is always
plenty of time. Giving the work all the time it needs to achieve success is
the least the artist can do. Material goods may be in short supply but never
to the level of preventing work. No one askes how long did it take? They think
the artist took as long as he wanted.
If an artist is attempting to emulate an old master work wouldn’t that
mean he would spend as long as he needed? The artist is not setting the standard,
the standard is already set.
Though it takes months to paint such a work and the payment is a fraction of
the time spent, is this a good use of the artist’s time? He enjoys matching
the level of work and spending hours in front of a charming painting, albeit
to him; not unlike sitting in a museum.
Evanswood Home, 20" x 16", Traditional Dutch Manner, July 20, 2016
Devou Park, Covington, Kentucky,
Shelter House, 20" x 16", oil
pastel on metal, September 13, 2014
Tom grew up at the corner on Montague and Breckinridge. He remembers seeing
the nightly dances at the shelter house when the juke box would play every night
and the cars would line up and drive by. David Mann was a young driving teen
at the time. Something happened to stop the impromptu dances for they stopped
around 1959. Later, after “The Great Escape” with Steve McQueen,
motorcycles would drive over the hills of the park and they put a stop to that.
He remembers every picnic table filled on the weekend. Ball fields were every
twelve-hundred feet full of players till well after dusk.
Auctioned off at 2014 FreshArt, Berhringer-Crawford Museum, 1600 Montague Road
- Devou Park Covington, KY 41011 859-491-4003
http://www.bcmuseum.org
French Home, oil on canvas, 10" x 8", 2010
Clifton Family, 24" x 20", oil on canvas, December 2009
Sunderland Home II, 24" x 20", Oil on canvas, September 2009
Sunderland Home, 7" x 5", Oil on board, September 2009
Tallarigo Home, 20" x 16", Oil pastel melted on metal, 2008
Devou Park Clubhouse, 16" x 12", oil on board, September 21, 2008
Devou Park Clubhouse, 16" x 12", oil on board, September 2007
Devou Park Clubhouse, 16" x 12", oil on board, September 2006
Rabbithash Kentucky II, 16" 12", oil on board, August 2005
Clifton Ridge Home, 10" x 8", December 6, 2003
The Clifton cow "Cincy Freedom" Takes a Break From Her Escape
Evanswood Home, 16" x 12", oil on canvas, used on the cover of the Clifton Chronicle, 2001
Chester Salisbury's Still Life, Oct 2001, Oil on canvas, 16" x 20", 2000
Slater Road, Morrisville NC, February 9, 1999, Oil on canvas, 16" x 12"
1064 Emerson Road, Park Hills, Kentucky 41011, 10" x 8", Oil on faux silver leaf on canvas, 1998
Groeber Home, 20" x 16", watercolor on paper, 1997
Bingham Home, 20" x 16", Watercolor on paper, 1996
Irish Home, Oil on canvas, 16" x 12", 1996
Oil on canvas, 16 x 12", Spring 1996
Irving Berlin’s Home, Oil on canvas, 10” x 8”, October 1996
Bahamian Home, 20" x 16", watercolor on paper, 1995
Savana Home, Watercolor on paper, 20" x 16", 1995, Testimonial, Home portraits, Commission, Watercolor
Greengus Home, 1994, 20" x 16", Home portraits, Commission, Watercolor
Berning Home, 20" x 16", oil on canvas, 1994, Home portraits, Commission
Kershaw Home, 16" x 12", oil on canvas, 1993, Home portraits, Commission
French Dairy Farm, 20” x 16”, 1990
Painted on location outside of Geneva, Switzerland, Tom was in Monte Carlo on
commission and while in Europe paid a visit to his friends in Geneva. Tom stayed
in Ferney-Voltaire fifteen miles outside of Geneva. Voltaire’s Chateau
is right behind this farm house which probably served the Chateau. Tom spent
ten days painting on a stone bench across the street. He never met the family.
No one came over to see what he was doing. Later Tom sent them a coffee cup
with the painting on it but never heard back from them.
Suzy & Mick Ronson's Home Oil on canvas, 16" x 12", Fall 1987
Sheep Farm, Nantucket, 10" x 8", oil on canvas, 1987
Colony Club, Palm Beach, 24" x 24", oil on canvas, 1980
Bemmington College, 10" x 8", 1979
Dreyfus Home, Chateau Pomme, Geneva, Switzerland, 10" x 8", 1978, Home portraits, Commission
Lionel Larner, 30" x 24", Oil on canvas, 1978, A famous actor's agent who had himself painted into his favorite painting that hangs at the Frick.
Rue de Clingnacort, Paris, 1978, oil on canvas,12" x 16", painted from life
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