Photographic prints can be ordered for any image in any size and can be paid for through PayPal. Please send an e-mail to tom@tomlohre.com for complete details.

China Man

4-10" x 8", highest quality ink jet on excellent 100lb paper, 1/2 white border, $25, framed $150

2-10" x 8", highest quality ink jet on canvas, $30, framed $175

1-12" x 10", highest quality ink jet on excellent 100lb paper, 1/2 white border, $30, framed $175

2-12" x 10", highest quality ink jet on canvas, $35, framed $180

produced by Robin Color, Cincinnati, Ohio; Brian Davis, bdavis@robinimaging.com

Mt. Adams, Cincinnati

$750, January 1 1988, Silk-screen on paper, 36" x 24"
Created using several rubber stamps of different screen stamped on acetate plates. Regular offset colors were printed, yellow, magenta and blue. A line drawing was included with each plate printing black. The overall effect was like the view Tom had come to know and love. A cold hillside in the dead of winter offered the best painting conditions for the best view in Cincinnati, Mt. Adams.

Nantucket Series

Created using three acetate plates that were laid on top of a textured piece of clear plastic. Underneath was the master drawing. Each plate was created on the thin acetate using a black conte' crayon or grease pencil. Each plate represented one color of the three color process colors, yellow, cyan and magenta. By combining all the colors you printed black. A black plate was created by including it with each of the three color printings.

The images were the same views that Tom painted in Nantucket everyday during the summer. He would rotate from one to another view completing the canvas in one day. All told he completed several hundred paintings. He used the time to learn color and composition for landscape painting.

These views were part of the five different views of Nantucket’s Main Street fountain Tom painted. He painted these views over and over for two summers. These views were readily saleable and allowed him to create his landscape manner. The first year’s paintings were very rough.

In college Tom worked at a local silkscreen company and after leaving them he would occasionally go back there and do his own work. Tom was Kinduell Screen Products “artist in residence.” These prints present the advanced form of work that came from that association. The prints were created using a master drawing laid under a clear textured piece of Mylar then a thin layer of smooth acetate. Tom would draw the four plates on this thin acetate with a black grease crayon. The black and one of the color plates were then exposed on a light sensitized silk screen and printed. The sensitive nature of the exposed screen only allowed about thirty impressions. He hope to someday go back and do some more prints like this.

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