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2014 Auctions on Everything but the House

Next auction will be in the fall of 2014.

Current works listed on the estate liquidation web site “Everything but the House" closing July 6, 2014.

https://www.ebth.com/search?utf8=%E2%9C%93&q=tom+lohre&content=Items

Archived Items

https://www.ebth.com/search?utf8=%E2%9C%93&state=archived&q=tom%2Blohre&content=Items

Check back here for next auction items in the fall of 2014 including:

Telford Avenue III, 20 " x 16", Oil pastel melted on thirty gauge metal, February 2, 2014 by Tom Lohre.

Telford Avenue III, 20 " x 16", Oil pastel melted on thirty gauge metal, February 2, 2014
The scene was painted from life in the Om Café during the Sunday Jazz brunch. The snow conditions give it a somber mood blotting out most of the detail. Tom’s intention is to paint Clifton Gaslight’s Ludlow Avenue over and over in the tradition of the Parisian masters. The new manner makes this possible by delivering a riveting, alive, work that breaks new ground for an appreciating audience.

The items below were auctioned the week of June 29.

Clifton Gaslight IV, 12" x 16", Oil pastel melted on thirty gauge metal, February 26, 2014 Cincinnati, Ohio by Tom Lohre Clifton Gaslight III, 12" x 16", Oil pastel melted on thirty gauge metal, February 8, 2014 Cincinnati, Ohio by Tom Lohre.

Clifton Gaslight IV, 20” x 16", Oil pastel melted on thirty gauge metal, February 26, 2014
The scene is from Holidays on Ludlow” with the horse drawn carriage picking up passengers in front of Graeter’s Ice Cream. The sky and street are enhanced by rendering them with high key color, each area having many colors from the complete spectrum.

Clifton Gaslight III, 12" x 16", Oil pastel melted on thirty gauge metal, February 8, 2014; Inspired by Edouard Cortez, Eugene Galien-Laloue, Luigi Loir and Jean Beraud. The rough work is the new rough. The color wax sticks melted onto a hot metal is alive even after it cools. In the past Tom relied on the time of day painting in the street to dictate the light and color of the painting but now he needs to give the painting everything it needs. In the past he shied away from dawn or dusk paintings thinking it was kitsch, low-brow style of mass-produced art or design using popular or cultural icons. This new medium wants him paint all the light effects.

Fountain Square Abstract Painting by Tom Lohre Fountain Square Abstract Painting by Tom Lohre

Fountain XXIX, 5" x 7", Oil on board, October 10, 2011, The nude in front of the statue is more noticiable.

Fountain Square XXXV, July 1, 2012, 5" x 7", Acrylic on board, to complement the nine colors Tom reduced the painting to blobs of colors to see if a composition would hold up if stripped of all but the simplest elements. The 1994 composition is a bird’s eye view.

Fountain XXVIII, 5" x 7", Oil on board, October 7, 2011; this study was for a large chalk drawing on Clifton Plaza.

Add a Simulated Gold Leaf Neapolitan Style Frame to your winning bid.

2" wide and 1" deep

5" x 7", $15

8" x 10", $20

12" x 16", $25

16" x 20", $35

20" x 24", $45

Add a Handmade Museum Style Plaque $80, 3/4" x 3"
 
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